LO SIENTO MUCHO – I AM SO SORRY
This is a story inside a story inside a story inside a story. And i am so sorry. You have to read it till the end, to get it all…enjoy! Every story begins with ourselves. Even when we are listening to another telling us their story, we are surrounded by our interpretation of their story. The only thing we can comprehend is our own imagination, our thoughts. Maybe your story starts like this: You look at your smartphone. You have read a text, found and used a QR code, and now you are interested to see what kind of story it is. And at the same time the other stories of your life are pushing into your consciousness and struggling for attention. So it is important to assess whether you want to stay with this story or rather switch to the next one. You scroll a bit to estimate how…
artefact – we act – insight on backstage
Whenever people experience themselves in social art projects, they experience the – common – moment of doing, of action. Then they connect the work with what they have experienced themselves. One’s own action is perceived as spontaneous, direct and immediate. Attention is focused on the moment.Nevertheless, there is always a story before the story, a story of the idea, the concept, the preparation.This is the story of the preparation of the series “ARTEFACT – WE ACT DADA 2023” for the art project ARTSURPRISE. The story begins in spring 2023 with a call from a dispatcher at a wood processing company. He asks if there is interest in a larger quantity of prefabricated olive wood sticks. A customer dropped out and now you have this batch in stock.At the same time, there was the concept of a series of stamps that should be conveyed to people interested in art via ARTSURPRISE.…
FLUXUS
This is the story about a classmate at school, about a photography workshop as part of my art class, about a woman who preferred playing soccer to playing with dolls and about the beginning of my love for art production. And it is the story of the evolution of this production, from an individual to a social artistic creation. As Webster mentioned: “Fluxus is an avant-garde art movement of the 1950s and 1960s that was heavily influenced by Dada”. George Macinuas coined the term Fluxus to describe his wide range of artistic activities. As Britannica knows: “In its early years, from 1962 to 1966, Fluxus fused conceptual art, minimalism, new music, poetry, and chance-based work into an intermedia phenomenon, identifiable more through its irreverent attitude toward art than through the use of any distinct style. Utilizing humour—in the spirit of Dada—and everyday materials and experiences, Fluxus created original and often…
la maison du dragon – puppet theatre – first proof of concept – stage details
In October 2021 we designed the first parts of the lower stage ground. The most important decision was the grid pattern for the lower stage. It will support various connections to other components and it will be used in the design of many construction parts like upper stage, walls and trusses. Part of the stage will be a moving segment. Based on the capacity of the laser cutter it comes along in 4 segments. Each segment provides 90 degree of a full circle of total of 48 cm. Also we realised a first pillar based on the same grid design to support (right photo) fastening eyes. A color scheme should lead to seperate the prefabricated parts. More about the general project you find here.
The day Beuys deleted his social media accounts
About love for people in times of a global civil war This is the story of a look back at many years of social art, the story of the rise and fall of social media, the story of a departure into the reald world that looks like re-treat and social death, and which only underlines that contemporary artists should also enjoy their time . My path into the arts started 40 years ago. For a small German town I was commissioned to carry out an art campaign for children and young people, my first paid artwork with the age of 18. I suggested a common action painting. The canvas 40 x 1.6 m in 20 segments faced a crowd of more than 160 young painters. The rules were clear: paint over what you don’t like. Allow the following to do the same. Return as many times as you want till…
The art of Code
As an european artist in pandemic times i have to re – think new aims and goals of contemporary art. Surrounded by agony and fear, by obedience and violence, i have to question my ideas, plans and strategies in art production , – distribution and – marketing. I do not want to line up with those, who dream from returning to the before. The past moved us into or NOW! and i do not want to repeat history. This article is about a new field of contemporary social art, driven by coding in PHP, a common programming language for web server based algorithm and logic. I am designing a tool to aviod SPAM and to protect WORDPRESS installations. You can activly support me to reach the goal, to give a useful tool to more than 20 Million website admins – for free! The article is also about the starting point…
Muarco – the exhibition in the museum in the exhibition
MUARCO is a miniaturized version of a modular exhibition space, which contains hundreds or more art works – depending on the configuration – in the size of 8 per 5 cm (leaflet for decision-makers,PDF). In 2020 i was invited to participate in an group exhibition of DeSouza Gallery in Spain. As an conceptual artist working in the field of social sculpturing i was highly affected by lock down and the shift in social realities in nearly all societies worldwide. Not only, that most of my colleagues are not allowed to perform any more, even cultural spaces like galleries, museums, exhibition and concert halls are affected. I could not follow my friends thoughts and was not able to imagine a back to normal and i started to calculate the impact and the consequences for individuals and entries as well. MUARCO – the exhibition in the museum in the exhibition – addresses…
Atlantis mapping
The Official Inner City Map of Atlantis is exhibited the first time as part of a the social sculpture “the exhibition in the museum in the exhibition” in the medieval Ermita de San Sebastia in the village of Cervera del Maestre (Castellon, Spain), as part of a group exhibition of DeSouzaGallery. The Inner City Map is represented by 3 first artist proof multiples (1-1-1, 1-1-2, 1-1-3) in the size of series of the social sculpture artsurprise. Each multiple shows a specific aspect of the Inner City of Atlantis. The first map is giving orientation to reach Famous Monuments. The second map shows the most important Contemporary Art Galleries and the third Best Museums and Art Spaces. A limited series of these first three maps will be available soon – please contact DeSouza Gallery for details.
